Sculpt Loomis Busts (Course 2-3 Zero to Bust))

Foundational structures for portraiture sculpting



4 x 6 hours 45 mins

Class size 1 to 5 (public classes), 2 to 3
  $780 (Afterpay available)

The Loomis Method, originally developed for drawing, has been expertly adapted for sculpting busts. In this two-day workshop, students are guided through a process inspired by Andrew Loomis, learning to translate his principles into three-dimensional form.
The course begins with creating a foundational Loomis bust, focusing on the essential proportions and planes of the human head. Through step-by-step instruction, students construct a robust structure as a versatile reference for future projects. This foundational bust establishes the groundwork for lifelike portraiture by emphasising the core elements of proportion and anatomy.
Building on this foundation, students progress to creating a secondary bust. This stage refines the Loomis structure, adding primary planes and capturing the subtle nuances of portraiture. The process bridges abstract construction and realistic sculpting, equipping students with a deeper understanding of the sculptural planes that define the human head.
By the end of the workshop, students will have completed two busts: the foundational Loomis bust and an advanced secondary bust. These fired pieces serve as invaluable reference tools, empowering participants with the skills and confidence to approach future sculptures with a solid grasp of proportion, structure, and detail.
Ideal for students who have completed Course 1, this workshop is also open to those with basic sculpting experience seeking to refine their techniques.

Please note: Public dates for this class require at least 3 guests to run. In the unlikely event that we don't reach this number, we'll cancel the class; in this case we'll inform you and allow you to get a refund or reschedule, so please watch your email/SMS one day prior to the class.
What you'll get
Access to all tools and equipment during the course. One bag of clay. Firing your basic Loomis bust, the advanced second-stage bust, and morning and afternoon tea.
Knowledge required
Students who have completed Course 1: Mastering Facial Features or individuals with some basic sculpting experience looking to expand their skills.
What to bring
Students are required to bring their own lunch: an apron, a roll of Gladwrap, and a spray bottle for water.
Session repeats

This class series runs over 4 consecutive days.

Location

Bibra Lake, WA

Exact location is masked for privacy. You'll automatically get the specific address after booking.

Sculpt Loomis Busts (Course 2-3 Zero to Bust)) location
More about this class

This class is new, and is covered by ClassBento's money-back guarantee.

Your teacher

Marc Dimmick - Atelier

I'm Marc Dimmick, the creative soul behind Marc Dimmick Atelier, where I celebrate the vibrant fusion of Clay, Oil, and Light. My journey began long before I established my atelier in 2017. Born in Portsmouth, England, I discovered my passion for art at the tender age of nine—transforming my bedroom wall into a playful mural of Bambi and Thumper. That childhood burst of imagination set me on a lifelong path of creative exploration.
After moving to Australia in 1971, life took me on an unexpected course. While serving in the Army, I found a creative outlet as a chef, crafting intricate table decorations that earned Bronze and Silver awards at the prestigious International Salon Culinaire. These early experiences taught me that beauty and art can be found in every aspect of life, no matter how humble the beginnings.
A pivotal moment arrived in 2016 when my wife, Frances, encouraged me to return to my first love—sculpting. Embracing the tactile world of clay, I immersed myself in masterclasses with inspiring artists like Jason Arkles, Philippe Faraut, and Amelia Rowcroft. Their guidance helped refine my skills and reawaken the artist within. Inspired by this creative rebirth, I expanded my practice to include oil painting, drawing on techniques from mentors such as Bob Ross, Michael James Smith, and Stuart Davies. This evolution allowed me to merge classical mastery with a modern sensibility, resulting in a unique body of work that tells its own stories.
My creative expression doesn't stop at sculpting and painting. For over 30 years, photography has been another channel through which I capture the world's beauty—from striking landscapes to intimate floral scenes. Each medium—clay, oil, and light—contributes to a cohesive vision where every piece is a narrative.
Teaching is my way of sharing that passion. I love guiding students as they uncover their creative potential, and I relish every "aha!" moment when a new idea clicks. Whether you're a curious beginner or an experienced artist, my classes are designed to inspire and nurture your artistic journey.
I invite you to join me at Marc Dimmick Atelier—where every creation celebrates creativity, stories unfold through art, and the timeless dance between Clay, Oil, and Light continues to inspire.

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